1 day ago · Gordon Brockhouse is SoundStage! Network managing editor and the senior editor for SoundStage! Simplifi. Location: Canada Read him on Simplifi Dennis Burger

Published monthly since 1995, SoundStage! is the world's leading publication for high-end audio and music. It is part of the SoundStage! Network, a world of websites for audio, music, video, …

Concerning SoundStage! ’s Reviewers' Choice appellation, readers will find me to be discriminating in the extreme. That said, on this combination of refined performance, tank-like …

With the LS26 in my system, a brightly lit, wide-open soundstage virtually exploded out of my speakers, bristling with spatial and tonal information. Performers were located precisely in …

That being said, I find the RLD-1 slots neatly between the two in that it combines the silky midrange and slightly sweet highs of the tubes with the impact, control, and speed of the solid …

Properly positioned, the CM1s can immerse the listener in a deeply layered three-dimensional soundstage with stellar imaging, the only caveat being a slight compression of soundstage …

The ability to think globally will net you long-term satisfaction with these amps. You’ll end up with a pair of amplifiers that will bring years of enjoyable listening, and, no matter where you live, …

The soundstage comes alive, giving the impression of a much bigger space re-created in the smaller space of my listening room. If you audition the No.39, you need to hear it balanced or …

So let’s start with the soundstage, which in terms of the Sonatinas is a function of their very extended yet even treble, the region that portrays the ambience, air and spatial cues they can …

The 1L could not quite muster up the quite the same soundstage specificity, but it was not that far off what the BC-3 was doing. The BC-3 had a definite edge in the retrieval of detail that …