The Best Editing Oscar nominees are “Anora,” “The Brutalist,” “Conclave,” “Emilia Pérez,” and “Wicked.” “Conclave” is the ...

Golden Globe wins, 10 Oscar nominations and an expanding release that’s allowing more people to see the historical epic in theaters — just as the VistaVision-shot film was intended. But one thing the ...

Credit Oscar-nominated cinematographer Lol Crawley for the jaw-droppingly, almost mythical sequence, a visual allegory in ...

James Mangold, director of “Walk the Line,” brings the electric true story of Bob Dylan to the big screen in “A Complete ...

The Brutalist is a big film, with big themes and a long running time. Its director reveals the struggle to get it to the big screen.

Adrien Brody’s “The Brutalist”—which is nominated for 10 Oscars including Best Picture—apparently is coming soon to digital ...

The Best Production Design nominees are “The Brutalist,” “Conclave,” “Dune: Part Two,” “Nosferatu,” and “Wicked,” which is ...

The further “The Brutalist” progresses along its 215-minute track, the more evident it becomes that co-writer/director Brady ...

It takes more than just length for a film to become an epic but at 215 minutes, plus a fifteen-minute interval, The Brutalist meets that first requirement. It also needs to be about something greater ...

The U.S. Copyright Office offers little clarity on how Hollywood should approach protection for works in which AI tools were ...

Corbet’s complex Brutalist rewards the patient Brady Corbet's The Brutalist is an anomaly in the current cinematic landscape.

Even before she met The Brutalist director Brady Corbett, production designer Judy Becker secretly hoped she could work with him.