In 2017, for the 25th anniversary of Filmmaker, we commissioned a radical redesign and also initiated a new upfront section: ...

Steam pouring from manhole covers, the neon-lights of 42nd street seen through rain-streaked taxicab windows, phalanxes of ...

For the first time since 2002’s Punch-Drunk Love, Paul Thomas Anderson has made a movie with a contemporary setting. To do so ...

When I realized I’d be laid off (via: restructuring) from the publication I’ve worked at for 11+ years, I went back through ...

As 2025 unfolded, returning to the ritual of asking filmmakers about the films that moved them feels both fragile and ...

This is what Big Art/Little Debt/Together points toward now: not rugged individualism but collective human sovereignty. Building the conditions for your artistic life — with others. Knowing exactly ...

Kimball Farley is the future. His breakthrough role in Hippo, the critically acclaimed dark comedy that RogerEbert.com called “an unholy fusion of A Clockwork Orange and Napoleon Dynamite” ...

When 28 Days Later arrived on screens in 2002, it marked a leap forward for both zombie movies and digital cinema. Eschewing ...

Telluride is not on my annual festival calendar—too distant, too costly—and rarely I’m at Toronto, only with a film. So as a ...

After spending the last Knives Out entry on a billionaire’s private Greek island, master sleuth Benoit Blanc’s latest mystery ...

The Busan International Film Festival saw the launch of Screen X, a cinema technology that promises to offer audiences an immersive cinematic experience without the need to wear glasses. The South ...